Steve Art Gallery LLC
USA Oil Painting Reproduction

 
 


Painting ID::  28025
Diana and Endymion
1883 Oil on canvas 55.2 x 78.1cm (21 3/4 x 30 3/4 in) McManus Galleries Dundee (mk63)

Walter Crane Diana and Endymion oil painting reproduction


   
 

 

 
   
      


Painting ID::  29892
Diana and Endymion
mk67 Oil on canvas 57 1/16x107 1/16in Pitti,Meridiana

Jacopo Tintoretto Diana and Endymion oil painting reproduction


   
 

 

 
   
      

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Jerome-Martin Langlois

French Academic Painter, 1779-1838

Painting ID::  44047
Diana and Endymion
Oil on canvas, 318 x 211 cm
French Academic Painter, 1779-1838
Jerome-Martin Langlois Diana and Endymion oil painting reproduction


   
 

 

 
   
      


Painting ID::  80732
Diana and Endymion
Date ca. 1660(1660) Medium Oil on canvas cjr

Pier Francesco Mola Diana and Endymion oil painting reproduction


   
 

 

 
   
      


Painting ID::  84916
Diana and Endymion
. 1660(1660) Medium Oil on canvas cyf

Pier Francesco Mola Diana and Endymion oil painting reproduction


   
 

 

 
   
      


Painting ID::  87107
Diana and Endymion
1636(1636) Medium Oil on wood Dimensions 28.6 x 26.6 cm (11.3 x 10.5 in) cyf

Peter Paul Rubens Diana and Endymion oil painting reproduction


   
 

 

 
   
      

Peter Paul Rubens
Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
Diana and Endymion
1636(1636) Medium Oil on wood Dimensions 28.6 x 26.6 cm (11.3 x 10.5 in) cyf

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